The Wailin' Jennys: 40 Days

Despite the fact that they don't need each other, Canadian folk veterans Cara Luft, Nicky Mehta, and Ruth Moody never get in each other's way Despite the fact that they don't need each other, Canadian folk veterans Cara Luft, Nicky Mehta, and Ruth Moody never get in each other's way. These three female singer-songwriters all have the pipes (and careers) of standout soloists, and they achieve a subtle magic together. In fact, the most captivating moments of 40 Days are the split seconds when the solo sections early in each track melt into three-part harmony.

The Wailin' Jenny's first full-length album unreservedly showcases these trance-inducing vocals as its greatest strength. The trio's intricate harmonies can be more fully appreciated when they have plenty of space to breathe. All three women are skilled writers, but Moody's material, marked by simplicity and an affinity for country/bluegrass, struck me as the most appropriate for the group. Folk deejays are particularly fond of "One Voice," the album opener. However, Moody's "Beautiful Dawn" (to which Kevin Breit contributes an excellent dobro part) and "Heaven When We're Home" are just as strong. Mehta's "Set This Freedom Free," a well-written but sparse melody that doesn't require much in the way of vocal gymnastics, is similarly conducive to the Jennys' sound.

These tracks don't represent the stylistic variety of the album, which includes more groove-oriented, up-tempo numbers. Once within the Jennys' harmonies, one is perfectly happy to simply remain a while, suspended in the close-woven texture.

Western Canadian Music Awards

Hi all,I am in beautiful Victoria at the moment and I am writing this in the lobby of the Strathcona Hotel. I have about a half an hour before we are due for a TV interview so I thought I would write an entry and let everyone know about the last few days of our crazy lives. I think I've finally almost caught up on missed sleep!After flying down to Pittsburgh last Thursday for an arts showcase, we flew all day Saturday to get to Chilliwack for a show. Though we were tired, the show went well and we ran into some old friends and supporters. We also had some great Greek food (check the Food page for new entries for Pittsburgh and Chilliwack - we did a lot of eating in a short amount of time). The next day we drove to the Abbotsford airport and flew to Calgary where we reported to the theatre where the Western Canadian Music Awards were being held (the name escapes me at the moment). After sound-checking with four members of the Calgary Symphony, we were sent off to go eat again.I started getting slightly nervous as we were going to be performing "Arlington" for the show and I was feeling a little zombie-like from all of the flying. It was also feeling a bit surreal that we were nominated for two awards as well. Dinner was wonderful (another go at Murrieta's with our management) and my nerves didn't stop me from inhaling chocolate cake and banana cream pie.By the time we performed, I had gotten a hold of my adrenaline and calmed down a bit and the song went well. The string quartet from the symphony were brilliant (as was Richard Moody's gorgeous arrangement) and the crowd seemed to appreciate the song. We rushed offstage and while were putting away our instruments in the dressing room and trying to decide if we had enough time to visit the loo, we were called upstairs to accept the award for Outstanding Roots Album. We didn't even hear our name mentioned! It was another surreal moment.After that as we were returning to our seats, Cara and I ran into Brian Potvin from the Northern Pikes who proceeded to compliment our performance. When we realized who it was, Cara and I started hailing him with the Wayne and Garth "we're not worthy" refrain and told him that we worshipped the Northern Pikes growing up. His response was great - he seemed genuinely happy that we were so thrilled to meet him. The Northern Pike's performance that night was one of the highlights.The after-party was the best part of all for me. I must have sung 70s and 80s rock tunes for about 4 hours with my partner, Grant (who was at the conference with his very fabulous band Novillero), Jill Brooksbank from Mainstage, Pat (can't remember his last name but he knew an incredible list of songs on the piano - I can't believe his arms didn't fall off) and a few other dedicated partiers. At one point, we pushed a grand piano down the hall while singing Journey's "Don't Stop Believing". Thankfully, we didn't get arrested and Thom Sparling, the event coordinator was more amused than anything else. Yeesh, musicians...My night was capped off by a wonderful conversation with a member of War Party who said she was a fan (I am a big fan of her band as well), and some much needed sleep when I got home to my friends Jodi and Jon Ouellette's house. Thanks to them for being their usual hospitable selves!I'm running out of time and this is very long, so I'll sign off now!~ Nicky

Hey everyone,

We have some great news to report - last night we won the award for Outstanding Roots Recording at the Western Canadian Music Awards!!!! It was a good evening on the whole and we were glad we made the trek to Calagary. We had a great time performing Arlington at the ceremony and were thrilled to share the stage with a string quartet from the Calgary Symphony. And since the award was announced only moments after our performance, and we were busy packing away our instruments on our dressing room, we had to practically sprint to the stage to make our first acceptance speech as the trio.

It was a tiring few days of travel preceding the show but seeing our friends from the music community across Canada made it all worthwhile. Manitoba did extremely well at the awards with The Weakerthans, Doc Walker, and many more local acts taking home trophies. Congrats to all of our cohorts! And thanks to everyone for sending us such wonderful notes of support - we appreciate it.

The Wailing Jennys

From their name and the album’s graphics I first assumed the Wailing Jennys were a reggae group. Wrong. This Canadian group, made up of three women with sublime voices, rejoices in the glorious sound of perfect three part harmonies placed in service of finely crafted songs From their name and the album’s graphics I first assumed the Wailing Jennys were a reggae group. Wrong. This Canadian group, made up of three women with sublime voices, rejoices in the glorious sound of perfect three part harmonies placed in service of finely crafted songs. Cara Luft, Nicky Mehta, and Ruth Moody all had successful solo careers before they decided to combine their talents. Their original music consisting of delicate Celtic-influenced folk-pop melts in your mind. If you want to fill your musical plate with seductively beautiful Anglo-American folk music The Wailing Jennys 40 Days should be your next big musical meal.

Jennys' goal: Never compromise

They are compared to The Dixie Chicks, but The Wailin' Jennys play the music they like best They are compared to The Dixie Chicks, but The Wailin' Jennys play the music they like best.

In the music business, few shortcuts to success are known to exist. But of the methods used to make an instant impression with audiences, perhaps one of the best is to cover a Neil Young song -- a hit from his beloved 1973 recording, Harvest, if possible.

The members of the Wailin' Jennys weren't looking to fast-track their careers when they recorded Young's hit Old Man during the sessions for their debut, 40 Days. They simply enjoyed the song, having first performed it two years ago during the Prairie Music Awards in Winnipeg for a tribute in Young's honour.

Ruth Moody, one of a trio of singers who fronts the Winnipeg folk band, is certainly happy with the attention Old Man has given them. But at the same time, she's perplexed by it. "The biggest surprise, I guess, is that Old Man was picked up by country radio."

Vancouver radio station JR Country got the ball rolling with the song, Moody says, prompting other stations in Canada to follow suit. The song rose to No. 45 on the Canadian country charts. "I still don't know how to explain that," Moody says.

The band's debut full-length recording, which was produced by Victoria native David-Travers Smith, has catapulted the Wailin' Jennys to a newfound level of success, capped by a nomination in the country category at the upcoming Canadian Independent Music Awards and nominations for outstanding album (independent) and outstanding roots recording at the upcoming Western Canadian Music Awards.

Better yet, it's all been done on their terms, Moody adds.

"Our goal is to never compromise our musical integrity," she says. "We're going to play the music we want to play, and if people want to include us in a certain genre, and for whatever reason it fits, then that's fine with us."

It's a privileged position to be in. The group, which includes singers Nicky Mehta and Cara Luft, has a firm grip on both the roots and country genres. As a result, the trio's effortless combination of acoustic instruments and soaring three-part harmonies has drawn comparisons to one of country music's most successful groups, the Dixie Chicks.

"I see the obvious parallels for sure, with the three harmonies and the three females," Moody says. "I'd say there are a few songs we do that have that kind of country bluegrass vibe, but our music is a little more diverse."

The Wailin' Jennys begin a tour in support of 40 Days Wednesday in Victoria, a city Moody has fond memories of. It was here, in December of 2002, that the then-unknown trio brought down the house with a genuine break-out performance. The concert was staged and hosted by local folkies The Bills, formerly the Bill Hilly Band, who were an early influence on Moody, Luft and Mehta.

The Bill Hilly Band shortened its name shortly after the performance -- could there be a name change in store for the Wailin' Jennys as well? Moody laughs aloud at the suggestion.

"We call ourselves The Jennys and a lot of people call us The Jennys, but we've always loved the name. We can't take credit for the name, but I think we're going to stick with it.

Freeways

Hey everyoneCara here. We just returned home from our tour in the States and I am definitely ready for a long nap! :) I think I drove the L.A. freeways a bit much the past few days (heeeeeh)... I feel like my brain is on hyper-speed.After our show in Ben Lomand (where the audience sang their hearts out on the Mingulay Boat Song - it rocked!) we drove down Hwy 1 along the coast, thru Big Sur and other incredibly beautiful areas. And it was hot hot hot. Ahhhhh, I loved it! L.A. was defintely a different place... everyone drives (I mean EVERYONE!), I didn't see one person on a bike. It was very strange. I got to visit with some new friends, walked along the beach and in the ocean, and was given a bit of a tour (drove by Ozzy Osbourne's house... kinda funny). Did I mention that I saw the freeways?Thanks to everyone who came out to our shows in the States - we're already looking forward to coming back!Gotta go eat some soup now. Ciao.

Hello everyone,

I am writing this at an internet cafe on Hollywood Boulevard and I have to say that this whole L.A. experience is a little surreal. We're waiting for our show to start (this one's a bit late for our usual crowd as our set begins at 11:00 pm) and there's some sort of strange showcase before us featuring singers who do backflips and backup dancers. Hmmm...

Anyway, we wanted to thank everyone for writing in to CMT and Muchmoremusic with your requests for "Beautiful Dawn". If you haven't had a chance to send a message in or you'd like to send a few more emails, the links are below and on the journal page. Thank you!

We have added some new food entries, a review from the Chico news, and some more shows. Check back often! We'll have more to report from the last leg of this tour later -we're being charged an arm and a leg to use these computers. I wonder if it's because we're so close to the stars (ie. the wax replicas down the street)?

Hot Picks - The Wailin' Jennys

It's been said that a solid relationship can only exist between people who are already independently whole. So much the truer for a three-part-harmony vocal group. Fortunately, the Wailin' Jennys, a folky trio whose music is far more lulling than their name suggests, is made up of such individuals It's been said that a solid relationship can only exist between people who are already independently whole. So much the truer for a three-part-harmony vocal group. Fortunately, the Wailin' Jennys, a folky trio whose music is far more lulling than their name suggests, is made up of such individuals. The group's members, Cara, Nicky and Ruth, were already seasoned pros when a fateful convergence at a guitar shop brought the puzzle pieces together - Cara was and is an internationally acclaimed guitarist, Nicky (who Sing Out! recently named one of North America's most promising new singer-songwriters) was nominated for a Canadian Independent Music Award for her solo album, and Ruth, a classically trained vocalist and pianist, was nominated for a Juno along with the rest of her previous band Scruj MacDuhk. The group's harmonies are tight without sounding the slightest bit belabored, bathing the listener in a soft hush.