The Jennys have just finished up another performance on Garrison Keillor's A Prairie Home Companion: "This week on A Prairie Home Companion, were carving blue-ribbon pumpkins and drinking hot spiced cider at the Fitzgerald Theater, with very special guests, the Queen of the blues renaissance Bonnie Raitt, and firecrackers of the Canadian prairie The Wailin' Jennys. Also with us the Royal Academy of Radio Acting: Tim Russell, Sue Scott, and Tom Keith, sitting in with the Guy's All-Star Shoe Band, the Manhattan maestro Andy Stein, plus an older guy in a rumpled tuxedo and red sneakers handing out the candy. Join us this Saturday for a live broadcast of A Prairie Home Companion."

The show will be rebroadcast on Sunday, October 29. Please click HERE for more info.

CANADIAN TOUR, September 2006

CANADIAN TOUR, September 2006We started on the West Coast, in Victoria. The Alex Gooldin theatre was packed and we played a show with 'Outlaw Social, my sweet friend Oliver Swain's new Old-timey band. They were awesome. Ollie then played bass with us on our set. We were also joined by Jeremy Penner, another dear old friend and ex-Scrujer, and of course a wicked fiddler, who is now living in Vancouver and made the trek over to the Island to play with us. How trippy to be playing with the Jennys and my old comrades of Moody Penner and Swain at the same time. It was a special moment for me, and a really special show mostly due to an amazing audience. Thank you to all of you who came out. A big thanks also to Ian Maclean for the smoked salmon.Vancouver was an awesome night as well. Another incredible audience, and good vibes on stage with Jeremy joining us once again.Next came Alberta, where we played three shows: Calgary, Edmonton, and Red Deer. It rained then snowed in Calgary, a bit of a shock after the West Coast loveliness, but it was a nice moment of nostalgia, as it reminded me of a snowy night on our first fall tour, 4 years ago, loading into the Nickelodeon folk club. This time it was the Calgary Folk Club, but an equally fine experience and another great audience. We got to stay with our good friends Jon and Jodi in Calgary. As usual, we thank them for their support, generosity and washing machines, as well as the cheese sauce and strangely large shrimp. In Edmonton we met up with the wonderful Christine Richardson, ate at Cafe Mosaic twice in 24 hours, and we power-shopped at one of our favorite stores, Nokomis, that specializes in local and Canadian designers. It's a good thing we won't be returning to Edmonton in the near future. Thanks Christine for the pumpkin Chili (who would have thought?) the braids (can you teach Nicky?) and the good times. The show felt good - the Myer Horowitz is a beautiful theatre and the sound was amazing. The new material really felt like it was starting to gel. In Red Deer we played Starlight for the first time and it felt right. Once again we played for a lovely responsive audience and remembered why we like sharing our music with Prairie folk. It has been so long!We had 4 days in Winnipeg next, during which I packed up all my belongings to allow for major renovations in the place I call home. I felt, well, homeless, and look forward to returning and settling in when things are calmer. It was a pretty chaotic and exciting time all around, gearing up for the hometown show at the Playhouse, rehearsing the tunes with Gilles Fournier and Jeremy Penner, and performing at the press launch, held by MARIA (Manitoba Audio Recording Industry Association). Everything went according to plan; even my nerves kicked in, predictably, on the morning of the show, just to remind me we were playing in Winnipeg that night. The show ended up feeling great. Thanks to everyone who came out to support us - it meant so much.We flew to Ottawa bright and early the next morning. It was a big fat reunion, with Caro welcoming us at the airport, Grant doing sound and Chris White spreading good vibes and bringing yummy Italian food into our lives. We rehearsed for all of 10 minutes at sound-check with brand new bass-man on board, Rob Fahie. He wasn't kidding when he said he'd know the tunes. He was great.Next day was Montreal. We went straight to 'Au Vivre' for a dose of vegan food to fuel us for the day. Mmmm.... dragon bowls and Oasis smoothies. This time it was Annabelle's turn to feel the pressure, with only 24 hours in her hometown, a suitcase to overhaul, and her own set of bathroom renovations to check in on. Everything felt calm again by dinnertime though, when we found ourselves at Mike and Rick (of Au Vivre)'s warehouse space for mushroom risotto and brussel sprouts. Thanks guys! There was a lovely vibe in the room when we got back to Salla Rosa. Rose Cousins warmed up the room beautifully, Rob joined us once again on the bass and the crowd was crazy and enthusiastic and kind.Three more shows. David Travers-Smith drove out to Gananoque to record the show there (as well as the Toronto and Peterborough shows): we decided it was time to try and get some live tracks and hopefully a live version of Calling All Angels in the bag. He graciously accepted the challenge and we thank him and Grant for working so hard to make it happen. It poured that night, we didn't know that's what it was but there was pounding on the roof and unbeknownst to us a fierce lightening storm came very close to shutting the system down during the 2nd set. We just sang obliviously under the roof of the little white theatre-set house we happened to be sharing the stage with that night and luckily everything was fine.Toronto was crazy and wonderful. The Mod Club was a cool place to play even if the vibe did get a little wiggy after dark, when the dance party took over and the staff yelled at our friends. We were joined on stage by Brett Higgins on the upright bass and Mark Mariash on drums. It was such a treat to have the bottom end round things out again and to have our tunes graced with the elegant grooves of Mr Mariash - Mark has appeared on two of our records and we plan to steal him from Ron Sexmith's band as soon as possible :) Thanks, once again, to all our friends, the ones we almost never see but think about lots and lots, that came out to show.Next day we drove to Peterborough and played our final show of the tour. Kevin Fox opened up and it was beautiful. He makes that cello sing and it made me want to have cello on every single song on our next record. Our show was fueled by large amounts of Indian food, which was probably a good thing cause it was a long one - we played Calling All Angels a second time in the encore just so we had one more take to choose from. I hope the audience didn't mind - at least it's a good song, certainly one I wouldnt' mind playing twice in one night again.At 5 am the next morning, after 3 hours of sleep, we left Peterborough, drove to Toronto, said goodbye to Canada for a while, and flew down to Greensboro, North Carolina.~ Ruth.

New England and a New GPS

I'm a bad jenny. I sometimes write journal entries and forget to post them. I did that recently. It's out of date now but I will dig it up, and post it in the next couple of days.At the moment we are flying from Boston to Chicago after spending 10 days in New England, playing shows, eating seafood and soaking up the autumn colours. We have our friend Jen Metcalf (the only real Jenny) with us doing some road managing and being her delightful charming self. Yesterday was Canadian Thanksgiving which is always kind of a tough time to be away from home - a feeling we've been having to get used to of late. I spent it with the lovely parents of my good friend Aoife O'Donovan (from amazing chamber bluegrass - that just came to me - outfit 'Crooked Still'. Check them out they are HOT). Mashed squash, roast potatoes and pumpkin pie were consumed, guitars were passed around, and washers and dryers spun overtime. Thanks Brian and Lindsay, you are the sweetest people ever and I appreciate so much that you took me in this past weekend. I feel very much rejuvenated and ready for the next leg.Other highlights of the tour: Seeing Rose Polanzani perform at the Oktoberfest Passim outdoor stage right before we played, (with Jennifer Kimball no less! Nicky was beaming), playing at the Iron Horse in Northampton with the talented Ruth Unger and Michael Merenda, exploring the Whaling museum in New Bedford, the trees on the drive to Lebanon New Hampshire, the Lebanon Opera House, bonding with our new GPS system and discovering the miracle of driving around Boston without getting lost, receiving health food store treats from Michael Kanter at the Passim show (thanks Michael!), the Passim show audiences themselves, and being on the receiving end of violent outbursts from cops on a regular basis.More soon from the past and the future,Ruth

Concert preview

Winnipeg's Wailin' Jennys are still relative folk-scene newcomers, but with a critically acclaimed debut disc and a Juno already under their belts, they're more accomplished than some veterans. Winnipeg's Wailin' Jennys are still relative folk-scene newcomers, but with a critically acclaimed debut disc and a Juno already under their belts, they're more accomplished than some veterans. The Wailin' Jennys would have had a great second record if they'd just repeated themselves, but instead they've honed their skills, grown up a bit and delivered an intelligent, dynamic and occasionally dark sophomore album. Banjo-driven opener The Devil's Paintbrush Road is extremely catchy, while Things That You Know stands up to the Dixie Chicks' most popular material. Theirs are some of the best three-part harmonies in any genre, so the Wailin' Jennys aren't just guaranteed more success in Canada; they're bound to attract left-leaning, country-lovin' U.S. liberals as well.

The Wailin' Jennys play the Mod Club tonight (Thursday, September 28).

Concert preview

The well-educated, classically trained members of the Canadian trio, The Wailin' Jennys, have meshed their diverse talents to create a sound that has found its way into the pantheon of Americana music.

"My mom would sing all kinds of folk songs when we were growing up," says band member Ruth Moody. "I think for whatever reason, it just fit me. I love acoustic instruments.

"People love roots music because it brings reason to a world spinning out of control," Moody says. "If people love three-part harmony, people are gonna like our music."

The Wailin' Jennys began as a one-time gig with founding members Nicky Mehta, Moody and Cara Luft. The chemistry between them was so pure that they began touring together. In 2004, Red House released their debut album "40 Days" in the United States to critical acclaim. The album garnered them a 2005 Juno Award (the Canadian Grammy) for Roots and Traditional Album of the year. They have packed houses in the United States, the United Kingdom and Australia, thanks in part to numerous appearances on the public radio show "A Prairie Home Companion."

The Wailin' Jennys ǃ

I Saw Star Strewn Space and Bruce Cockburn

"Stood before the Shaman, I saw star strewn space" ~ Bruce CockburnWe got on stage as night was falling, the hill in front of us emerged as a sky of candle constellations that swayed in the night. The music of Bruce Cockburn. Familiar. Gutsy. Beautifully crafted. True true true.This is a good time.Maestro Cockburn said he felt like a troll who had woken up amongst angels, but really, we are aspirants before a master, and the chance to layer our voices around his works of light, of awakeness, of musical strength, is such an honour, such a joy infuser. That moment on stage at the Edmonton Folk Festival, 2006, is a moment I will draw from for a long time.~ Ruth