The Toronto StarBy John TeraudsTHE WAILIN' JENNYSBright Morning Stars (True North)

 (out of 4)It's taken more than a year from  recording sessions in cabin up in the Haliburton Highlands to this  album's release date. This is the first studio album in nearly five  years for the Wailin' Jennys, a bluegrass-roots trio originally from  Winnipeg, and it's well worth the wait. All but one of the 13 tracks  were written by the talented singers: Ruth Moody (who also plays guitar,  banjo, accordion and bodhran), Nicky Mehta (guitar, ukulele, harmonica  and percussion) and Heather Masse (double-bass). The bluegrass accent is  rendered in muted pastels behind the women's signature tight three-part  harmonies, and you can practically hear the quiet woods outside the  recording studio. The songs are impeccably produced, but maybe the  tracks are a bit too relaxed when heard back to back. The highlights:  Moody's gospel-style “Storm Comin' ” and the Jennys' haunting, a  cappella take on the traditional lullaby “Bright Morning Stars are  Rising.”
(out of 4)It's taken more than a year from  recording sessions in cabin up in the Haliburton Highlands to this  album's release date. This is the first studio album in nearly five  years for the Wailin' Jennys, a bluegrass-roots trio originally from  Winnipeg, and it's well worth the wait. All but one of the 13 tracks  were written by the talented singers: Ruth Moody (who also plays guitar,  banjo, accordion and bodhran), Nicky Mehta (guitar, ukulele, harmonica  and percussion) and Heather Masse (double-bass). The bluegrass accent is  rendered in muted pastels behind the women's signature tight three-part  harmonies, and you can practically hear the quiet woods outside the  recording studio. The songs are impeccably produced, but maybe the  tracks are a bit too relaxed when heard back to back. The highlights:  Moody's gospel-style “Storm Comin' ” and the Jennys' haunting, a  cappella take on the traditional lullaby “Bright Morning Stars are  Rising.”
